This is a major event in film studies: we hear as if for the first time the live pulse of Godard’s lectures and discussions in Montreal in 1978—a series of fourteen meetings that pave the way for the eight chapters of his Histoire(s) du cinéma (1988–1998). Timothy Barnard conveys brilliantly Godard’s mercurial thought in action, even at its most hesitant, contradictory and ambi...(展开全部)

马克·费罗：法国年鉴学派史学家，第一次世界大战史、俄国史专家，将电影作为文献和媒介进行历史研究的先锋。著作甚丰，除本书外，其他主要著作有：《法国史》（2001）、《历史的禁忌》（2002）、《伊斯兰教的冲击》《电影，对历史的一种解读》（2003）等。

马克·费罗：法国年鉴学派史学家，第一次世界大战史、俄国史专家，将电影作为文献和媒介进行历史研究的先锋。著作甚丰，除本书外，其他主要著作有：《法国史》（2001）、《历史的禁忌》（2002）、《伊斯兰教的冲击》《电影，对历史的一种解读》（2003）等。

The Sea as Mirror traces the pressing and repressed material and symbolic presence of the Mediterranean Sea and the Atlantic Ocean from Plato to Heidegger. To do so, Wu Yi employs the maritime as a lens to understand the drive of philosophy as both a response to and moment within the impetus of Western colonization. Yi examines how philosophy has again and again constructed its...(展开全部)

Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the 'death of cinema' debate, Film History as Media Archaeology presents a robust argument for the cinema's current status as a new epistemological object, of interest to philosophers, while also examining the presence of moving images in the museum and art spaces as a challeng...(展开全部)

Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the 'death of cinema' debate, Film History as Media Archaeology presents a robust argument for the cinema's current status as a new epistemological object, of interest to philosophers, while also examining the presence of moving images in the museum and art spaces as a challeng...(展开全部)

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the...(展开全部)

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the...(展开全部)